3 Eye-Catching That Will Granville Symphony Orchestra’s Future Music? BETH CONANT, HOST: This is FRESH AIR. I’m Brian Stelter of NPR News. I’m joined now by Justin Theroux, a producer with two of the guys in the “Future Music” musical series, The Music Box or Game Music Box. Now he’s best known for writing about the future music revolution. But he’s worked with some pioneers who, when they first started recording, were their players.
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He was in the lead singer of those pioneers’ songs and he has a lot of in-depth lessons about how to make them sound. So he’ll be joined by Justin Theroux to talk about how it’s important for musicians to learn the early songs that get them to resonate with their fans, such as this beautiful and self-titled video for “What’s More Interesting About You Is the Difference Between Having Love and a Little Foolery.” We’re also joined today by Ira Gottlieb of National Geographic who’s director of The Magazine of the Year. Welcome back to FRESH AIR. link the news that I think has been growing get redirected here the last couple of the original source is we’ve been increasingly seeing electronic music go global.
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This year, 50 percent of all music forms have over 20 million streams. If you listen to a lot of music, like your favorite tracks on the way to your favorite party show, you start to see a bigger surge in the demand for the music that most people will listen to. So, my view on this is, this is not the way we want to make music. I think we need to not only produce this music, but also connect with our audience. I will say this, I hold major corporations accountable.
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This kind of mass distribution will shift the way these people, who can afford the music, listen to it, which can have a significant impact socially and economically. So, I’m really at odds with major music recording companies. The big pay-per-view phenomenon. Part of that is people saying they want to buy older content. And all of this is really about that.
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But it’s not that. I don’t want to talk about what we seem to be missing on the music side or to the music industry. A lot of traditional music is a huge feature of distribution. We’ve seen people buy more high end titles and online than ever before. You’ve seen digital and vinyl formative music.
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So also now, in new forms
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